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You simply must get “Emotional” about When Saints Go Machine’s new LP
Hiraki’s quest for perfect ugliness
PODCAST: Let’s talk women in the music industry!
LALUNE: The more open we are about sexual needs, the closer we get to equality
Nille Nyc shows new face with confidence and curiosity on “Someone Else”
Backstage with DJBFA chair, Koda vice-chair: Anna Lidell
Spring songs to listen to these days
On new LP “Capacity”, Lydmor is more concerned with journey than destination
INTERVIEW: MoonBee on duality of things and the reality of DIY artist life
10 years of Good because Danish: ready for a new chapter
The Entrepreneurs’ new single “Sweet” lives up to its name
A star is being born on Gurli Octavia’s debut LP
“Ild, Drømme, Frihed og Fred” – zooming in on life with Tomas Høffding
Gemini Inc. blast 2021 open with debut LP
Best albums of (thank-God-it’s-over) 2020
PODCAST: Let’s talk creativity with Lydmor
PREMIERE: Let Where Did Nora Go hug you with UNDIVIDED music video
Fallulah embraces vulnerability on new LP “All My Eyes Are Open”
Record Labels Q&A: hfn music
Liva Mo – CURA
Positive Danish music to listen to these days
PODCAST – GbD recommends
(Re)defining success with Go Go Berlin
Record Labels Q&A: Mermaid Records
INTERVIEW: Søren Manscher – “Loneliness is a state I really enjoy exploring”
Record Labels Q&A: HUN SOLO Records
Oliver Lübbert – Frie Fugle
Record Labels Q&A: Crunchy Frog
MOONBEE – Suburban Dreams
GOSS – Group Therapy
PREMIERE: Once In Orbit – The Martian
Record Labels Q&A: W.A.S. Entertainment
Go Go Berlin – I Never Meant To
Select Captain – Comes in Waves
INTERVIEW: LINEBUG
Record Labels Q&A: Celebration Records
INTERVIEW: The Cosmic Rabbit Holes
AICK – Demos
M. REXEN – Tending to the Vulnerable Things
Go Go Berlin at Bremen Theatre: how seated concerts bring out the feelings of Danish audience
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