No need to overthink it, “Peacetime” by The Boy That Got Away is loud, raw, and intense. It’s the kind of album that grabs you from the first note and doesn’t let go. The band’s fourth album solidifies their place in Danish rock with a wild, high-energy sound. It feels like their most confident work yet.
The Boy That Got Away turn up the volume
From the start of “Influx”, it’s clear they’ve cranked everything up. The riffs have a Queens of the Stone Age swagger, thick with distortion and attitude. The drums hit hard with Metallica-like precision, driving the songs forward. But beyond the heaviness, there’s an unfiltered energy, like a live performance right in front of you.
Powerful and raw vocals
Then there’s the voice. Let’s be honest: there was only one Chris Cornell, and no one will replace him. But at times, especially at the end of “Aesel” (a personal album highlight), Tim Alvin Boström’s vocals echo that soulful, untamed power. He doesn’t imitate, he naturally carries a similar depth and grit.
A darker, deeper sound
“Sleepwalker” dives deeper into the dark, hypnotic stoner rock vibe. “Homecoming” follows with a mix of force and emotion, showing the band’s ability to balance power with depth. Lyrically, the album touches on war, absurdity, and modern struggles, always with a rebellious edge. Closing “Boy”, sung in Danish, is a nice touch that reminds us that The Boy That Got Away while taking inspiration from all over the world, have the Danish darkness or melancholy at the core of their music.
“Peacetime” thrives on its raw, imperfect sound, making the music feel alive and unpredictable. With this album The Boy That Got Away aren’t just back; they’re louder than ever. A standout in Danish rock, this album demands to be played at full volume!
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